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Ariella Aïsha Azoulay (born 1962), Professor of Modern Culture and Media and the Department of Comparative Literature, Brown University.

Her books include: Potential History – Unlearning Imperialism (Verso, 2019); Civil Imagination: The Political Ontology of Photography (Verso, 2012); The Civil Contract of Photography (Zone Books, 2008); Aïm Deüelle Lüski and Horizontal Photography, Leuven University Press and Cornell University Press, 2013; From Palestine to Israel: A Photographic Record of Destruction and State Formation, 1947-1950, (Pluto Press, 2011); co-author with Adi Ophir. The One State Condition: Occupation and Democracy between the Sea and the River. Stanford University Press, 2012.

Among her potential histories, archives and curatorial work were shown in different places: The Natural History of Rape (Berlin Binnale, 2022), Errata (Tapiès Foundation, 2019, HKW, Berlin, 2020), Enough! The Natural Violence of New World Order, (F/Stop photography festival, Leipzig, 2016), Act of State 1967-2007, (Centre Pompidou, 2016, Arquivo Municipal de Lisboa Fotografico, 2020); Enough! The Natural Violence of the New World Order (F/Stop festival, Leipzig, 2016); "The Natural History of Rape" (Pembroke Hall, Brown University, 2015); The Body Politic [in Really Useful Knowledge, curated by What, How & for Whom / WHW], Reina Sofia, Madrid; When The Body Politic Ceases To Be An Idea, Exhibition Room - Manifesta Journal Around Curatorial Practices No 16 Potential History (2012, Stuk / Artefact, Louven), Untaken Photographs (2010, Igor Zabel Award, The Moderna galerija, Lubliana; Zochrot, Tel Aviv), Architecture of Destruction (Zochrot, Tel Aviv), Everything Could Be Seen (Um El Fahem Gallery of Art).

Among her film essays: Un-documented: Undoing Imperial Plunder (2019); Civil Alliances, Palestine, 47-48 (2012); I Also Dwell Among Your Own People: Conversations with Azmi Bishara (2004) & The Food Chain (2004).